Orc Champion Digital Painting

Orc Champion

Fantasy image of an Orc Champion, created using a combined 3D to 2D workflow utilizing polygonal modeling, 3D sculpting, 2D digital painting and a little 2D photo-bashing. With a rough idea in mind prior to beginning work, we dove right in creating a sketch signature prop design for the piece: The four-blade combined axe and mace. After having arrived at a satisfactory concept sketch, we proceed to make model of weapon. The 3D model of the prop was brought into a 3D sculpting program, in which a character mesh was created, costumed, and posed. This model was then exported from
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Concept Art: Surface Drifter and Quad Roamer

Surface Scavenger

The above image was created using two concepts previously created related to a Mars colonization based IP we’ve been developing. Already in possession of a basic structural design for the character and vehicle (below) made constructing a more detailed image far easier. We were free to focus on the ‘how’ without needing to worry to much about the ‘what’, so to speak. For those who have followed our blog may remember the ‘Scavenger’ concept as part of a character and costume study we created several months ago. First, a rough line sketch was created to establish the character’s pose. Several
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Concept of Carter Dams for Martian Terraforming projection

Concept Art: Terraforming Mars

Digital paintings of Martian terraforming in progress. This world is in a middle stage of terraforming. Over the millenia, the once thin martian atmosphere has grown, and the planet has warmed. The carbon dioxide and dust and metal laden atmosphere has started a small greenhouse effect, and in the summer months, the mid-latitudes reach above freezing. Whatever idealism propelled the first settlers has long been forgot by most Martian people.

Illustration: 'Eye of Horus'

Illustration: The Eye of Horus

Cover Illustration and Title-Text Mock-up for “The Princess & Thief: The Tears of Hathor,” a Young Adult Fantasy Novel set in the Middle East during the early 16th Century. Previous black and white renders were borrowed to rapidly attempt a visualization. Several other concepts have been tested up to a rough color mock-up. The mystery created by the enigmatic symbol ultimately driving design direction toward this composition. The final render utilizes a combination of 3D render, photographic montage (‘photo-bashing’), and painted strokes. The square composition was chosen to enable excess crop and bleed in layout process. Expected target format is
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Chessia - Dwarf and Goblin Character Concept Art

Character Development – Workflow

This is a step-by-step walk-through of how the above images above were created. Both use a very similar workflow, which is outlined for each below. These images were rendered using Adobe Photoshop. Part 1: Dwarf First quick line concepts were created for the character. In this case we were looking for a dwarf. These sketches are designed as an iterative process – during which different ideas are explored, either by varying upon a theme or attempting alternate conceptual directions. Then, a group of sketches are selected for continued development. In this case, nearly all the sketches were chosen for the
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